We can't all work in the inner city. And, I don't even think that it is incumbent upon an African-American intellectual to be concerned in their work with problems of race and class. It's just one of the things, that we here at the DuBois Institute, are concerned about.

My producers and I worked with these consultants and came up with seventy [stories] which we think are exemplary of the larger arc of African-American history between 1513 and 2013. We covered half a millennium, and it's amazing.

I want to get into the educational DNA of American culture. I want 10 percent of the common culture, more or less, to be black.

One principle I've been fighting for that doesn't endear me to a lot of people is that black people can be just as complicated and screwed up as white people. Our motives can be just as base and violent. Suffering does not necessarily ennoble you.

I give a speech to the black freshmen at Harvard each year, and I say, "You can like Mozart and ice hockey..." - and then I used to say "golf," but Tiger took over golf! - "and Picasso and still be as black as the ace of spades."

We must begin to understand the nature of intertextuality . . . the manner by which texts poems and novels respond to other texts. After all, all cats may be black at night, but not to other cats.

My father, if anything, first and last, was a man of words. He loved stories; he didn't live for stories, exactly, but I think he lived through stories. I think, like many writers, he loved stories about things he had experienced as much as, if not more than, he loved the experiences themselves.