In a one-hour documentary, you can tell maybe ten stories. That's how the documentary is structured. I wrote to forty of the greatest historians of both African and African-American history, and hired them as consultants. I had them submit what they thought were the indispensable stories, the ones they felt this series absolutely had to include.

It's not white versus black any more, it's haves versus have-nots. Unless the black middle-classes unite to promote the interests of the black underclass, tension between them is inevitable. What we, the black middle class have to do, is think of a strategy to avert that.

We have chaos reigning in the Middle East. There is a great deal of instability. In the past, people would have turned to their church, and some still do. Counterintuitively, people are now turning into themselves to find their roots. The way you do that is through your family tree. "Where did I come from?" There is an urge to preserve the names of the people who produced you.

I don't think the riots derailed the civil rights movement.

The thing about living in a village at the foot of a mountain is that the world for you becomes, without thinking about it, self-contained. People are of two kinds, really: from the Valley, and from Elsewhere.

Cuba is like going to a whole other planet. It's so different but it's so similar to the United States, to Miami. It's like a doppelgaenger. It's the mirror image. And I have no doubt, that once Cuba becomes democratic, that it will be the favorite tourist destination for Americans.

No one thinks of Mexico and Peru as black. But Mexico and Peru together got 700,000 Africans in the slave trade. The coast of Acapulco was a black city in the 1870s. And the Veracruz Coast on the gulf of Mexico and the Costa Chica, south of Acapulco are traditional black lands.