I think that is what we do by preserving and telling our stories. If you don't tell your stories, other people will tell their story about you. It's important that we nurture and protect these memories. Things change. Existence means change. So, the kind of precious memories about being black for my generation won't exist for my kids' and grandkids' generations unless we preserve them through fiction, through film, through comic books, and every other form of media we can possibly utilize to perpetuate the story of the great African-American people.

Our society is driven today by so much ethnic discord. We have Black Lives Matter, which I praise and celebrate. We have the demagogues stereotyping Muslims and resurrecting racist stereotypes they used to visit on us. The larger goal is to show that we are all the same, we all come from Africa, and we all have the same larger family tree. It's about the fundamental unity of the human community.

The biggest surprise for me, without a doubt, was that the first black people who came to the United States weren't the 20 who arrived in Jamestown in 1619. All of us had been taught that. The first African came to Florida in 1513. And the huge shock is we know his name, Juan Garrido, and that he wasn't a slave. He was free!

It's fascinating how life works.

You can say I had a severe case of 'Roots' envy. I wanted to be like Alex Haley, and I wanted to be able to... do my family tree back to the slave ship and then reverse the Middle Passage, as I like to put it, and find the tribe or ethnic group that I was from in Africa.

I think that the roots of racism have always been economic, and I think people are desperate and scared. And when you're desperate and scared you scapegoat people. It exacerbates latent tendencies toward - well, toward racism or homophobia or anti-Semitism.

Insofar as we, critics of the black tradition, master our craft, we serve both to preserve our own traditions and to shape their direction. All great writers demand great critics.