The Frenchman is first and foremost a man. He is likeable often just because of his weaknesses, which are always thoroughly human, even if despicable.

Perhaps I have not lined his portrait too clearly. But if he exists, if only for the reason that I have imagined him to be. He came from the blue and returns to the blue. He has not perished, he is not lost. Neither will he be forgotten.

There are lone figures armed only with ideas, sometimes with just one idea, who blast away whole epochs in which we are enwrapped like mummies. Some are powerful enough to resurrect the dead. Some steal on us unawares and put a spell over us which it takes centuries to throw off. Some put a curse on us, for our st idity and inertia, and then it seems as if God himself were unable to lift it.

It isn't the oceans which cut us off from the world - it's the American way of looking at things.

The one thing we can never get enough of is love. And the one thing we never give enough is love.

I didn't have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let's say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!

To love! To surrender absolutely, to prostrate oneself before the divine image, to die a thousand imaginary deaths, to annihilate every trace of self, to find the whole universe embodied and enshrined in the living image of another! Adolescent, we say. Rot! This is the germ of the future life, the seed which we hide away, which we bury deep within us, which we smother and stifle and do our utmost to destroy as we advance from one experience to another and flutter and flounder and lose our way.