I wanted to feel the blood running back into my veins, even at the cost of annihilation. I wanted to shake the stone and light out of my system. I wanted the dark fecundity of nature, the deep well of the womb, silence, or else the lapping of the black waters of death. I wanted to be that night which the remorseless eye illuminated, a night diapered with stars and trailing comets. To be of night so frighteningly silent, so utterly incomprehensible and eloquent at the same time. Never more to speak or to listen or to think.

We are swimming on the face of time and all else has drowned, is drowning, or will drown.

He is trying to recapture his innocence, yet all he succeeds in doing (by writing) is to inoculate the world with a virus of his disillusionment.

Example moves the world more than doctrine. The great exemplars are the poets of action, and it makes little difference whether they be forces for good or forces for evil.

But you can’t put fight into a man’s guts if he hasn’t any fight in him. There are some of us so cowardly that you can’t ever make heroes of us, not even if you frighten us to death. We know too much, maybe. There are some of us who don’t live in the moment, who live a little ahead, or a little behind.

No one asks you to throw Mozart out of the window. Keep Mozart. Cherish him. Keep Moses too, and Buddha and Lao Tzu and Christ. Keep them in your heart. But make room for the others, the coming ones, the ones who are already scratching on the window-panes.

You start out with the sublime and you end up in an alley jerking away for dear life.