One of the most prevalent and undermentioned genres of music is what is known as noise. You can find it all over the world happening in basements, small venues and even some festivals. Often blown off or belittled by critics, the form for the most part goes unheard and unnoticed.

Everything I do, writing, touring, travelling, it all comes from the punk and hardcore attitude, from that expression - from being open to try things but relying on yourself, taking what you have into the battle and making of it what you will, hoping you can figure it out as you go. Make some sense of it.

I was in Pakistan in Islamabad when Bhutto was assassinated, and the next day, you know, there's just plumes of smoke everywhere. I mean, Islamabad is on fire.

I'm most comfortable on stage.

When I see the hatred exacted at Mr. Obama - you know, he lowered your taxes, killed your number one bad guy and got your guys out of Iraq - I don't understand why he seems to inflame people so much. You know, unless, unless there's a race problem.

The visceral nature of hard rock music, the fact that you can have this sledge hammering sound - and that you can hook a lyric up and a feeling up to something and make the lyric jump into this machine that crushes. That has always been really attractive to me, that kind of power.

I don't know if you have ever seen the Woody Allen film 'Annie Hall,' but it is, in a way, to Los Angeles and 'Hollywood' what 'This Is Spinal Tap' is to many musicians.