I lay off a lot modern fiction and only rely on living writers for non-fiction work.

There's nothing new about the government protecting corporations and calling it the freeing of the world or bringing democracy to bereft nations. Nowadays, the media have to be there for them, to keep you from asking too many questions, from getting together with other people who might want to do the Jeffersonian thing and call out the government.

I get letters from young people telling me that they're broke and download my albums for free. They ask me what I think about that. I now have a standard line. I tell them, 'I would rather be heard than paid.'

The perpetrators of the actual bad stuff that does real and lasting harm to people, like leakage of industrial chemicals into water systems, seem to get not so much as a second glance; the bloviation from media pundits and think tanks creates false problems that waste time and energy debunking.

There's something about being under-rested and knowing that the situation is going to remain that way for quite some time that makes things more meaningful.

I was at the first Minor Threat show, and you could tell, 'This band is going to be the king of the town.' It was obvious. They were so good.

With writing, there are multiple drafts. On stage, there is one take. I do a lot of preparation for shows, so, for the most part, what you hear me say is pretty much what I wanted to get at.