To a nice ear, the quality of a voice is singularly affecting. Its depth seems to be allied to feeling; at least, the contralto notes alone give an adequate sense of pathos. They are born near the heart.

The art of walking is at once suggestive of the dignity of man. Progressive motion alone implies power, but in almost every other instance it seems a power gained at the expense of self-possession.

No man flatters the woman he truly loves.

Had we a privilege of calling up by the power of memory only such passages as were pleasing, unmixed with such as were disagreeable, we might then excite at pleasure an ideal happiness, perhaps more poignant than actual sensation.

Professed authors who overestimate their vocation are too full of themselves to be agreeable companions. The demands of their egotism are inveterate. They seem to be incapable of that abandon which is the requisite condition of social pleasure; and bent upon winning a tribute of admiration, or some hint which they can turn to the account of pen-craft, there is seldom in their company any of the delightful unconsciousness which harmonizes a circle.

To impress others we must be earnest; to amuse them, it is only necessary to be kindly and fanciful.

There is more or less of pathos in all true beauty. The delight it awakens has an indefinable, and, as it were, luxurious sadness, which is perhaps one element of its might.