It can happen anytime, anywhere. I mean, you don't have to be in front of stuff that's going to make a good photograph. It's possible anywhere.

You're suddenly seeing the coherence and the interconnectedness of everything, left to right, top to bottom, front to back. It's all connected, and, somehow, it's all in balance. And that's, of course, when you go, 'Yes!'.

It can happen anytime, anywhere. I mean, you don't have to be in front of stuff that's going to make a good photograph. It's possible anywhere.

I actually try and work before my mind is telling me what to do.

If you let some time go by before considering work that you have done, you move toward a more objective position in judging it. The pleasure of the subjective, physical experience in the world is a more distant memory and less influential.

Some of my best work is done when I'm half asleep.

[The photographer's task] is to describe the existing light... Chances are, if you believe the light, you're going to believe that the things photographed existed in the world.