Perhaps it is this theory of all work and no play that has made the Marxist such a very dull boy.

Progress is measured by richness and intensity of experience - by a wider and deeper apprehension of the significance and scope of human existence.

But the further step, by means of which a civilization is given its quality or culture, is only attained by a process of cellular division, in the course of which the individual is differentiated, made distinct from and independent of the parent group.

This is the essential distinction--even opposition--between the painting and the film: the painting is composed subjectively, thefilm objectively. However highly we rate the function of the scenario writer--in actual practice it is rated very low--we must recognize that the film is not transposed directly and freely from the mind by means of a docile medium like paint, but must be cut piece-meal out of the lumbering material of the actual visible world.

I know of no better name than Anarchism.

I have not the slightest doubt that this form of individuation represents a higher stage in the evolution of mankind.

In order to create it is necessary to destroy; and the agent of destruction in society is the poet. I believe that the poet is necessarily an anarchist, and that he must oppose all organized conceptions of the State, not only those which we inherit from the past, but equally those which are imposed on people in the name of the future.