That author who draws a character, even though to common view incongruous in its parts, as the flying-squirrel, and, at differentperiods, as much at variance with itself as the caterpillar is with the butterfly into which it changes, may yet, in so doing, be not false but faithful to facts.

To the last, I grapple with thee; From Hell's heart, I stab at thee; For hate's sake, I spit my last breath at thee.

Consider the subtleness of the sea; how its most dreaded creatures glide under water, unapparent for the most part, and treacherously hidden beneath the loveliest tints of azure. Consider also the devilish brilliance and beauty of many of its most remorseless tribes, as the dainty embellished shape of many species of sharks. Consider, once more, the universal cannibalism of the sea; all whose creatures prey upon each other, carrying on eternal war since the world began.

Time is made up of various ages; and each thinks its own a novelty.

Think of it. To go down to posterity as a 'man who lived among the cannibals.'

So long as a man-of-war exists, it must ever remain a picture of much that is tyrannical and repelling in human nature.

A gentleman of Typee can bring up a numerous family of children and give them all a highly respectable cannibal education, with infinitely less toil and anxiety than he expends in the simple process of striking a light; whilst a poor European artisan, who through the instrumentality of a lucifer performs the same operation in one second, is put to his wits' end to provide for his starving offspring that food which the children of a Polynesian father, without troubling their parent, pluck from the branches of every tree around them.