Toward seven o'clock every morning, I leave my study and step Out on the bright terrace; the sun already burns resplendent Between the shadows of the fig tree, makes the low wall of coarse Granite warm to the touch. Here my tools lie ready and waiting, Each one an intimate, an ally: the round basket for weeds: The zappetta, the small hoe with a short haft . . . There's a rake here as well, at at times a mattock and spade, Or two watering cans filled with water warmed by the sun. With my basket and small hoe in hand, facing the sun, I Go out for my morning walk.

Never is a man wholly a saint or a sinner.

You learned people and artists have, no doubt, all sorts of superior things in your heads; but you're human beings like the rest of us, and we, too, have our dreams and fancies.

The world, Govinda my friend, is not imperfect, not to be seen as on a slow path toward perfection: No, it is perfect in every moment, all transgression already bears grace within itself, all little children already have the aged in themselves, all the sucklings death, all the dying eternal life.

Every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way, and never again. That is why every man's story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross.

Writing is good, thinking is better. Cleverness is good, patience is better.

I call that man awake who, with conscious knowledge and understanding, can perceive the deep unreasoning powers in his soul, his whole innermost strength, desire and weakness, and knows how to reckon with himself.