I need to be able to play the music, and so I don't like to have intimidation be part of it.

I think that if people show up in jeans and chains, it's great that all parts of culture are interested in music. People forget sometimes that it's about the music, not how you act and dress.

I need to be able to play the music, and so I don't like to have intimidation be part of it.

I just want to work with people, so I always try to find a way to collaborate in the best way for the music.

It's fine with me if people want to applaud between movements of a concerto. It doesn't bother me - it's part of performance experience. Sometimes when they applaud if I'm still playing it's not as good, but there's always a way around it. Actually the applause gives me a little rest and chance to stretch, too.

I've had it for about 13 years, and I don't see any reason to change, I find that the violin just keeps responding really well. It changes itself every year; it ages, it goes through all these different environmental changes, and of course, the travelling...It develops on its own, just as any performer does. It's a very stable instrument, so I can rely on it, but at the same time it always shows me a different side of things than I expect.

The encore is the short piece after the program has finished, where the performer brings out something that the audience doesn't expect.