I don't think you can take a whole genre of very popular books and say, "This is all trash!" When we read a memoir that isn't by a celebrity, we feel like we're about to go on a journey and we don't know where the journey will lead. But when we read a memoir by a celebrity we feel like we already know the journey and we just want to travel it.

I don't think you can take a whole genre of very popular books and say, "This is all trash!" When we read a memoir that isn't by a celebrity, we feel like we're about to go on a journey and we don't know where the journey will lead. But when we read a memoir by a celebrity we feel like we already know the journey and we just want to travel it.

I've been writing books without ego for a very long time. I feel like it will get what it deserves. Or won't get what it doesn't deserve.

Working with somebody who has a more interesting life than I do - and getting to take on that life temporarily - is an endlessly interesting way to have the experience of writing memoir.

None of my clients are criminals, but to a much lighter degree that's what goes on. I hear the story, and I hear it with the level of detail that breeds empathy.

We exploit celebrities by caring about shallow things like whether they've gotten a facelift. And we violate their children constantly. But we also love them in a way.

There are certain jobs I don't take because I feel no connection to the person. But if somebody is open with me, and honest about their motivations, and has some level of self-awareness, then I'm going to understand them.