A sea-green sky: lamps blossoming white. This is marginal land: fields of strung wire, of treadless tyres in ditches, fridges dead on their backs, and starving ponies cropping the mud. It is a landscape running with outcasts and escapees, with Afghans, Turks and Kurds: with scapegoats, scarred with bottle and burn marks, limping from the cities with broken ribs. The life forms here are rejects, or anomalies: the cats tipped from speeding cars, and the Heathrow sheep, their fleece clotted with the stench of aviation fuel.

Much historical fiction that centers on real people has always been deficient in information, lacking in craft and empty in affect.

I spend a lot of my time talking to the dead, but since I get paid for it, no one thinks I'm mad.

It follows that if you are not a mother you are not a grandmother. Your life has become unpunctuated, whereas the lives of other women around you have these distinct phases.

Though I have never thought of myself as a book collector, there are shelves in our house browsed so often, on so many rainy winter nights, that the contents have seeped into me as if by osmosis.

I've got so many ideas, and sometimes the more exhausted my body gets, the more active my mind gets.

You can be merry with the king, you can share a joke with him. But as Thomas More used to say, it's like sporting with a tamed lion. You tousle its mane and pull its ears, but all the time you're thinking, those claws, those claws, those claws.