All over the planet, nature is being transformed into 'un-nature' at breakneck speed...My life is part of natural history. I long to know where that history came from and where it is going.

We need to have nature back in our atmosphere. There might be a turning point of going backward - within a few thousand years we are going back to the Stone Age! There are many scenarios [with] the robot technologies: Humans no longer need to walk; machines can produce products and food and everything. You might not be able to recognize what's false and what is real.

I don't love the postmodern statement: "You shouldn't be spiritual if you are the artist."

I came to California in 1970 and so many people were asking if I was a Buddhist or knew Zen theory, asking if I was enlightened already or not. So I said, "Yes, I am enlightened," and then I studied quickly to catch up.

The 1,000 Buddha, to me, is almost like a contemporary art piece.

I have no policy for my collection. For example, there's a bunch of meteorite [on the windowsill in my studio]. I touch it and I feel the energy from the universe. I have a 1/1,000th of a fragment of stone-age tools and pottery and debris. I can learn many things from my collection. Actually, the 1,000 Buddha, I wanted to buy it, but it's a National Treasure, so I couldn't. If you cannot buy it, just photograph it!

Humans have changed the landscape so much, but images of the sea could be shared with primordial people. I just project my imagination on to the viewer, even the first human being. I think first and then imagine some scenes. Then I go out and look for them. Or I re-create these images with my camera. I love photography because photography is the most believable medium. Painting can lie, but photography never lies: that is what people used to believe.