The Seascapes are before human beings and after human beings. The Seascapes were there before our presence, and when our civilization is over, seascapes will still exist. Our presence is temporary. Civilization is only 5,000 to 6,000 years. The history of ours, the material history of consciousness, is rather short.

However fake the subject, once photographed, it's as good as real.

I want to put it back together now, this artistic expression that contains religious feeling. I want to investigate: What was the origin? What's happened in the human mind? Can we trace back the moment of the creation of human consciousness? And why did only humans gain consciousness, not other animals? So, evolution? I don't know whether or not I can believe evolution. Maybe we wait for another 100,000 years and then apes get consciousness.

I don't know whether the future or 2018 exists or not, but if it exists, I'm offering a show to a museum in Australia titled "Time Reversed." Time is going backwards.

When I saw this Broken Kilometer, it reminded me of these 1,000 Buddhas. That piece is 1,000 one-meter gold rods, and this is 1,000 pieces of gold gilded wooden sculpture. In terms of design, it's up to the space's character.

Humans have changed the landscape so much, but images of the sea could be shared with primordial people. I just project my imagination on to the viewer, even the first human being. I think first and then imagine some scenes. Then I go out and look for them. Or I re-create these images with my camera. I love photography because photography is the most believable medium. Painting can lie, but photography never lies: that is what people used to believe.

When people call me a photographer, I always feel like something of a charlatan—at least in Japanese. The word shashin, for photograph, combines the characters sha, meaning to reflect or copy, and shin, meaning truth, hence the photographer seems to entertain grand delusions of portraying truth.