Life is one passage and then you keep moving into another state. It's like you might be reborn, but the process of being born you won't remember - the same way that the dying process is a slow movement from consciousness to unconsciousness.

To me photography functions as a fossilization of time.

My concept was, within the five-minute video, for people to see one million Buddhas. So I made a group of the images and it keeps accelerating to reach this one million point. The movie was invented from the still photos.

Many people [still] believe that at the time of your death, 1,000 Buddhas show up and welcome you into the paradise state.

I'm inviting the spirits into my photography. It's an act of God.

Fossils work almost the same way as photography as a record of history. The accumulation of time and history becomes a negative of the image. And this negative comes off, and the fossil is the positive side. This is the same as the action of photography.

People have been reading photography as a true document, at the same time they are now getting suspicious. I am basically an honest person, so I let the camera capture whatever it captures whether you believe it or not is up to you; it’s not my responsibility, blame my camera, not me.