I'm inviting the spirits into my photography. It's an act of God.

Mystery of mysteries, water and air are right there before us in the sea. Every time I view the sea, I feel a calming sense of security, as if visiting my ancestral home; I embark on a voyage of seeing.

Art resides even in things with no artistic intentions.

I have no policy for my collection. For example, there's a bunch of meteorite [on the windowsill in my studio]. I touch it and I feel the energy from the universe. I have a 1/1,000th of a fragment of stone-age tools and pottery and debris. I can learn many things from my collection. Actually, the 1,000 Buddha, I wanted to buy it, but it's a National Treasure, so I couldn't. If you cannot buy it, just photograph it!

We need to have nature back in our atmosphere. There might be a turning point of going backward - within a few thousand years we are going back to the Stone Age! There are many scenarios [with] the robot technologies: Humans no longer need to walk; machines can produce products and food and everything. You might not be able to recognize what's false and what is real.

When people call me a photographer, I always feel like something of a charlatan—at least in Japanese. The word shashin, for photograph, combines the characters sha, meaning to reflect or copy, and shin, meaning truth, hence the photographer seems to entertain grand delusions of portraying truth.

Many people [still] believe that at the time of your death, 1,000 Buddhas show up and welcome you into the paradise state.