Once someone's hurt you, it's harder to relax around them, harder to think of them as safe to love. But it doesn't stop you from wanting them.

The funny thing about good people—people like Daneca—is that they really honestly don’t get the impulse toward evil. They have an incredibly hard time reconciling with the idea that a person who makes them smile can still be capable of terrible things. Which is why, although she’s accusing me of being a murderer, she seems more annoyed than actually worried about getting murdered. Daneca seems to persist in a belief that if I would just listen and understand how bad my bad choices are, I’d stop making them.

I consider kissing her right there on the dirty couch, but self-preservation stops me. Once someone hurts you, it’s harder to relax around them, harder to think of them as safe to love. But it doesn’t stop you wanting them. Sometimes I actually think it makes the wanting worse

I wonder about death, I who may never know it. It looks much like ecstacy, the way they open their mouths as they drown, the way their fingers dig into your skin. Their eyes are wide and startled and they trash in your hands as though with an excess of passion.

I can learn to live with guilt. I don't care about being good.

Mine. The language of love is like that, possessive. That should be the first warning that it's not going to encourage anyone's betterment.

He must have been handsome when he was alive and was handsome still, although made monstrous by his pallor and her awareness of what he was. His mouth looked soft, his cheekbones as sharp as blades, and his jaw curved, giving him an off-kilter beauty. His black hair a mad forest of dirty curls.