Someone could cut through the mess in our house and look at it like one might look at rings on a tree or layers of sediment. They'd find the black-and-white hairs of a dog we had when I was six, the acid-washed jeans my mother once wore, the seven blood-soaked pillowcases from the time I skinned my knee. All our family secrets rest in endless piles.

This is the part in the movie where that guy says, "Zombies? What zombies?" just before they eat his brains. I don't want to be that guy.

The inside is packed with people. Lots of them crowding the bar, passing drinks back for people to carry to tables. A bunch of guys are pouring shots of vodka. "To Zacharov!" one toasts. "To open hearts and open bars!" calls another. "And open legs," says Anton.

The most important thing for any con artist is never to think like a mark. Marks think they can get something for nothing. Marks think they can get what they don’t deserve and could never deserve. Marks are stupid and pathetic and sad. Marks think they’re going to go home one night and have the girl they’ve loved since they were a kid suddenly love them back. Marks forget that whenever something’s too good to be true, that’s because it’s a con.

Downstairs, Grandad's warning Barron about something. His voice swells, and I catch the words, "In my day we were feared. Now we're just afraid.

Oh- and grab the plastic bag over by my suitcase." I slug down the last of the coffee and get up. The bag contains panty hose. I put them on her desk. "They're for you." "You want me to look homeless, desperate, but also kind of fabulous?

I wonder if he really could rationalize what I did to him, really treat betrayal like the slight transgression of a recalcitrant business partner. I wonder if I hurt him. If he can rationalize what I did to him, it’s easy to imagine how he rationalized what he did to me.