Many of us marvel at the icy insensitivity with which women snuff out their armours. But if they did not blot out the past in this manner, life for them would lose all dignity and they could never resist the fatal familiarities to which they once submitted.

If we all said to people's faces what we say behind one another's backs, society would be impossible.

Mud, raised by hurricanes, wells up in the noblest and purest of hearts.

[Raphael's] great superiority is due to the instinctive sense which, in him, seems to desire to shatter form. Form is, in his figures, what it is in ourselves, an interpreter for the communication of ideas and sensations, an exhaustless source of poetic inspiration. Every figure is a world in itself, a portrait of which the original appeared in a sublime vision, in a flood of light, pointed to by an inward voice, laid bare by a divine finger which showed what the sources of expression had been in the whole past life of the subject.

There are no little events with the heart. It magnifies everything; it places in the same scales the fall of an empire of fourteen years and the dropping of a woman's glove, and almost always the glove weighs more than the empire.

Love is the only way on which even the dim-witted reaches certain heights.

What is a child, monsieur, but the image of two beings, the fruit of two sentiments spontaneously blended?