No society is complete without some victim, a creature to pity, to jeer at, to scorn or to protect.

A woman questions the man who loves exactly as a judge questions a criminal. This being so, a flash of the eye, a mere word, an inflection of the voice or a moment's hesitation suffice to expose the fact, betrayal or crime he is attempting to conceal.

For pain is perhaps but a violent pleasure? Who could determine the point where pleasure becomes pain, where pain is still a pleasure? Is not the utmost brightness of the ideal world soothing to us, while the lightest shadows of the physical world annoy?

Genuine sorrows are very tranquil in appearance in the deep bed they have dug for themselves. But, seeming to slumber, they corrode the soul like that frightful acid which penetrates crystal.

The habits of every animal are, at least in the eyes of man, constantly similar in all ages. But the habits, the clothes, the words and the dwelling of a prince, a banker, an artist, a bourgeois, a priest and a pauper, are wholly dissimilar and change at the will of civilizations.

The fashions we call English in Paris are French in London, and vice versa. Franco-British hostility vanishes when it comes to questions of words and clothing. God save the King is a tune composed by Lully for a chorus in a play by Racine.

What makes friendship indissolute and what doubles its charms is a feeling we find lacking in love: I mean certitude.