I will search for hidden talents that I didn't know I had and do my best to cultivate them. I am grateful for each day, and I will try to use each day as a stepping stone to greater achievements.

I will search for hidden talents that I didn't know I had and do my best to cultivate them. I am grateful for each day, and I will try to use each day as a stepping stone to greater achievements.

Jazz is not background music. You must concentrate in order to get the most out of it. You must absorb it.

I've found in composing that being simple and profound—having in-depthness in your music—is the most difficult thing to do. Anybody can write a whole lot of notes, which may or may not say something . . . But why make it complicated for the musicians to play? Why make it difficult for the listeners to hear?

The ensemble playing is as clean as a whistle. The band plays in tune and with dynamics. Also, there is some fine arranging and orchestrating going on here, and the soloists perform at top level.

I may be prejudiced, but I believe that jazz music has the strongest healing potential, and it's not just because I play it and love it so much. I feel that it's the improvisation in jazz that makes it so strong as a healing tool, what each individual gives to a tune from their heart and their soul when they take a solo. It's all spontaneous, and it's all love, and from the heart.

They didn't dictate to me as to what kind of music that they wanted me to play or what tunes, what musicians that I was going to use. They let me do my thing. That's one reason I stayed there for twenty-eight years.