In the drawing room [of the Queen's palace] hung a Venus and Cupid by Michaelangelo, in which, instead of a bit of drapery, the painter has placed Cupid's foot between Venus's thighs. Queen Caroline asked General Guise, an old connoisseur, if it was not a very fine piece? He replied "Madam, the painter was a fool, for he has placed the foot where the hand should be.

A poet who makes use of a worse word instead of a better, because the former fits the rhyme or the measure, though it weakens the sense, is like a jeweller, who cuts a diamond into a brilliant, and diminishes the weight to make it shine more.

Shakespeare, with an improved education and in a more enlightened age, might easily have attained the purity and correction of Racine; but nothing leads one to suppose that Racine in a barbarous age would have attained the grandeur, force and nature of Shakespeare.

I do not admire politicians; but when they are excellent in their way, one cannot help allowing them their due.

René of Anjou [(1409-80)] painted a picture of his mistress's corpse as he found it eaten by worms on having it [her tomb] openedon his return from a pilgrimage to Jerusalem. This [is] another instance of the strange mixture of religion and gallantry in those ages.

Shakespeare had no tutors but nature and genius. He caught his faults from the bad taste of his contemporaries. In an age still less civilized Shakespeare might have been wilder, but would not have been vulgar.

King René of Anjou [(1409-80)]was a strange compound of amiable, great and trifling qualities. He was so excellent a sovereign as to acquire the surnom of the Good. He was brave in war, delighted in tournaments and wrote on them, instituted festivals and processions, partly religious and partly burlesque, was a fond husband, a romantic lover, a good painter for that age, and a true philosopher.