Traveling is amazing. You meet so many great, positive people. You get to see new faces all the time. I don't think that loneliness, it's not like you have no one in your life. Well, I'd say it's like . . . you can have everyone you need in your life and still be lonely. Everyone knows that. Being on the road is complicated and shitty; it's also really, really rad.

It's hard to see how much of our social fabric is made up of a radical refusal to love people.

The songs are all indexes of a time in the past when I was writing them.

I didn't sit down and write a song like, "I want to write a song about this," but I just spent so much time living in this affectively charged space of the live show, with its risks and the incredible reward that comes from people knowing me, recognizing me, affirming me. And then I would wake up in the morning and have an eight-hour drive where I would read George Saunders and listen to Grouper and Pure X. And you bond so much with your tour-mates and your bandmates because it's this weird, quite desperate way of living.

That's another thing in Alice Munro: it's always, like, some middle-aged woman who is going to cheat on her husband, and there's that moment where she decides to take an extreme risk. It's always after an extreme risk where life really happens for Alice Munro.

Every new generation of smartphone just has a different-shaped button. It's embarrassing.

Traveling is amazing. You meet so many great, positive people. You get to see new faces all the time. I don't think that loneliness, it's not like you have no one in your life. Well, I'd say it's like . . . you can have everyone you need in your life and still be lonely. Everyone knows that. Being on the road is complicated and shitty; it's also really, really rad.