We are suffocated by writers who want to enlighten us with their truths. For me, the theatre is beautiful because it is a secret, and secrets seduce us, we all want to share secrets.

A good play puts the audience through a certain ordeal.

I’ve often taken important classical, biblical or literary stories and interrogated them. I have tried to reinvigorate Lot by interpreting it differently.

When I write, I am not giving a lecture, I am speculating on behavior. Sometimes this is dangerous, but it should be. As I say often, theatre is a dark place and we should keep the light out of it.

I never 'say' anything in my work. I invent a world. Let others decide what is being 'said'.

It is impossible - now, at this point in the long journey of human culture - to avoid the sense that pain is necessity; that it is neither accident, nor malformation, nor malice, nor misunderstanding, that it is integral to the human character both in its inflicting and in its suffering, this terrible sense Tragedy alone has articulated, and will continue to articulate, and in so doing, make beautiful...

I submit all my plays to the National Theatre for rejection. To assure myself I am seeing clearly.