You can find the whole world of a film in one instrument, or you can find a world of sound in the orchestra.

Film music really is about point of view and you can shift it wherever you want really depending on how you look at it.

I have kind of an intuitive feeling as a composer as to what would be appropriate for those groups and how to feature certain paths in a certain way, whether there was dialogue in a scene, or whether there was no dialogue and music was telling the story at that point.

Theater and film are essentially the same - just different kinds of storytelling.

I have to feel something emotionally on the story to be able to write for it. I turn things down if I don't feel I'm really right to tell that particular story.

I like to do a lot of research on all of the films I work on. So, I like to read a lot. That's always an interesting part of it with me.

I look at the film without any music or sound. I try to grasp the story from the screenplay. I try to write to the novel or book if there is one. I try to create music that's honest and true to my heart for the story.