When I made 'Real Steel,' the director actually had the robots in the monitor, so he knew where everything was. So technically, there's been advancements. But at the end of the day, movies are about story and characters, so all the other stuff is great, but unless you have those two elements, then you've got nothing.

It's absolutely physically demanding to play the role of Wolverine. There's a lot of action, and I try to do as much of it as I can because it's better for the audience.

At the end of drama school, I made a contract with myself: I'd try acting for five years. I was 26. I had already spent eight years working in restaurants and gas stations. So I had seen enough small businesses to understand that that's what acting is: a small business.

And I think that, of course, there is some dysfunction of needing to be liked or noticed or to feel part of things, something going on there for most actors. For some there's not and I think they really struggle with it.

My agent said to me five years ago, 'Hugh, I can see one day you... if I had to plan a goal for you, it's for you to have the kind of career that Sinatra had.'

If I go to a party I don't feel like I have to be in the centre. But I do find myself quite often being placed in that position. Even when I was younger at school, I would be asked to make a speech. I don't remember putting up my hand and all that often but I'd just find myself there.

My favorite play in drama school was 'The Bacchae.' It's about a king who literally gets eaten alive by all the women in the play in a kind of orgy - it's related to the word 'bacchanal' - and I loved that idea of animalistic chaos and following our own desires.