It's always interesting - how do you actually convey thought through song? We're used to the convention on stage. In film, we used to be used to it, and now sometimes it works and sometimes it doesn't. You need to be fresh and really look at the material.

I'm lucky to have worked in theater all over the world, but there's something magical about Broadway. The audiences are smart, they're educated. They go in ready and they're up for it, they're up for the party. It's a whole different atmosphere.

But anyone who's done a musical knows; whether you're dancing or not, physically it's the most difficult thing you can do.

As an actor, you have many tools - your body, your voice, your emotions, mentally. In film, you have your eyes because they communicate your thought process. In fact, generally in film, what you don't say is more important than what you say. That's not so much the case for stage.

I tried making an album six years ago. It was just horrific. Trust me, it's smashed into smithereens. I paid big money to silence that one.

'One Night Only,' the words I'll be hearing from my agents when I tell them I'm coming back to Broadway.

I like the Rolling Stones for karaoke. 'Sympathy For The Devil' is a great one.