[...] and as I walked, I tried to see the funny side. It wasn't easy, and I'm still not sure that I managed it properly, but it's just something I like to do when things aren't going well. Because what does it mean, to say that things aren't going well? Compared to what? You can say: compared to how things were going a couple of hours ago, or a couple of years ago. But that's not the point. If two cars are speeding towards a brick wall with no brakes, and one car hits the wall moments before the other, you can't spend those moments saying that the second car is much better off than the first.

I never went to drama school, I don't have any certificates saying: 'He's a qualified actor.' But I did think that House was something I didn't have to apologise for. It was something I was really proud of and it was sort of ... whether you liked it or not, it was undeniable.

I am very, very aware at all times. I'm watching myself, I'm listening to myself, I'm judging myself, critiquing myself all the time, and I will know when I do something and I will immediately say, "Can I do another one, because I didn't quite get that thing," or that I wanted to do something there and it didn't quite work.

I think good-looking people seldom make good television. And American television studios almost concede before they start: 'Well, it won't be good, but at least it'll be good-looking. We'll have nice-looking girls in tight shirts with F.B.I. badges and fit-looking guys with lots of hair gel vaulting over things.'

When school friends would think about appearing on stage as the most frightening, the most awful, intimidating experience ever, I knew that it was something I could do.

It is the middle of December now, and we are about to travel to Switzerland - where we plan to ski a little, relax a little, and shoot a Dutch politician a little.

Every day is the opportunity for a better tomorrow.