When you're battling against the minds of the studios and the money that can go into promoting larger budget films, it's very hard for a very small-budget Australian film to get a look in. You can get critically acclaimed and go to various film festivals around the world, but that doesn't necessarily mean the majority of people are going to hear about it.

I think often in film we limit our imaginations a little - well, quite a lot, actually things get quite formulaic.

Both my parents are English and I was born in West Africa, and I moved around as a kid, lived in Bristol, lived in Buckinghamshire and Surrey as a kid, and then moved when I was 16.

I didn't get my licence because I wasn't allowed to. But I haven't had a seizure for a long time so I could, theoretically, get my licence. But I'm now just so used to not driving, I'm scared of what I'd do.

It's a real pleasure to go to work when you're in the most extraordinary surroundings, and working with people who are young and interested and creatively keen.

I don't think I'll ever escape the fact that I don't belong anywhere in particular. I've often dreamed about going back to Nigeria, but that's a very romantic notion. It's a hideous country to go to in reality.

I think any role you need to play not so much transforms but I like to think of it as understanding the psychology of another character.