I think the key for us is really letting the stories we feel are best told to kind of dictate where we go. When we find a story we really believe is one that should be told, how do we best tell it and you know what do we need to tell that story most effectively? I think to the good, the universe is such that there are a lot of options, there a lot of opportunities. So that's kind of what's guiding us.

Ultimately as much as the film industry is a business, it's a democracy. And the audience votes on how they feel based on the way they spend their money for tickets.

I think the key for us is really letting the stories we feel are best told to kind of dictate where we go. When we find a story we really believe is one that should be told, how do we best tell it and you know what do we need to tell that story most effectively? I think to the good, the universe is such that there are a lot of options, there a lot of opportunities. So that's kind of what's guiding us.

When you're making any movie, you have your hopes and expectations - but reality doesn't always conform with your hopes and expectations.

I really think the key to any movie is that you tell the story kind of in a fulsome way, with depth, with skill, and you will find your audience.

I think one of the mistakes that people historically have made in Hollywood, and there are countless examples of this, is making the assumption that if the movie worked before, if we just remake it it'll work again.

The challenge I think at first consideration is always a mixture of the creative opportunity and the finances. From the studio perspective, that's what they're looking to balance.