I'd begun to realize that there was an unspoken predjudice among book-learned people, a secret conviction they all seemed to share, that life as we know it is an imperfect vision of reality, and that only art, like a pair of reading glasses can correct it.

Adulthood it a glacier encroaching quietly on youth. When it arrives, the stamp of childhood suddenly freezes, capturing us for good in the image of our last act, the pose we struck when the ice of age set in.

The only things people can ever know about you are the ones that you let them see

Perfection is the natural consequence of eternity: wait long enough, and anything will realize its potential. Coal becomes diamonds, sand becomes pearls, apes become men. It's simply not given to us, in one lifetime, to see those consummations, and so every failure becomes a reminder of death.

Two people who think they're in love can find out, when left alone, exactly how little they know about each other.

Hope...which is whispered from PAndora's box only after all the other plauges and sorrows had escaped, is the best and last of all things. Without it, there is onl time. And time pushes at our backs like a centrifuge, forcing us outward and away, until it nudges us into oblivion.

Love lost is a special kind of failure, I think. It's a reminder that some consummations, no matter how devoutly wished for, never come; that some apes will never be men, not in all the world's ages.