However, I don't feel the world is looking over my shoulder when I am working - I never think about this at all. What I think about is trying to make my work pure, and if it is pure then it can be accessible. It is quite straight forward really.

As a friendly one. I would still like to write concrete poems, but I can only do it sometimes.

I came to these mediums through having the garden, and of course, people who have designed gardens have always worked in collaboration, and never made their own inscriptions.

But you have to understand that I consider myself a very modest artist, or whatever, and not of importance really at all - it is quite embarrassing to me to be asked my opinion about things. I am only a wee Scottish poet on the outside of everything.

My position is that since the non-secular status of my garden is not recognised by the law; by the world of the public, then the garden can only be private. So, I closed the garden to the public.

But at the beginning it was clear to me that concrete poetry was peculiarly suited for using in public settings. This was my idea, but of course I never really much got the chance to do it.

For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not.