I work at a record label where I have archives. These things [memorabilia] occurred and are important to somebody, and they're important to me. I find the record industry largely repellent. This music, the Teen Idles, all of that stuff, is important to me. I don't have lawyers, an agent or a manager. However I find the music industry largely repellent. I just make records because that's what I love to do. So I think that era, those pieces of media, I keep in my collection.

Part of the way the work world works is not so much creating a separation between your work and your free time, but creating the illusion of a separation between your work and your free time. Every day is the weekend for me, which means I'm always busy.

I've done thousands of interviews in my life, and it's a format that I quite enjoy, because I think of questions in interviews as an opportunity to sort of gauge my growth in a way. It gives me an idea of how I'm navigating this world that I'm in.

Getting your letters or pictures digitized. I don't think it's that important. The more you spend on your materials, you're given the sense that those things are more important due to the total amount spent. You'd probably be better off giving that money to a soup kitchen.

Record labels have enjoyed a 100-year monopoly of selling plastic and now they're up against a different format.

It doesn't hurt me on a personal level, but it hurts me on a larger level of like, why are people so stupid? Why do we have to go through these unnecessary exercises. Fight crime, don't fight me. If you really want to make a difference don't fight me or Fugazi.

When someone writes a really nasty piece about me. I think they're generally untrue because I think I'm a nice person.