The fact that the U.S. government spends millions of dollars to send murderous robot planes into other people's land to murder them, into other countries, that's a problem. That's what people should be concerned about. The fact that other people don't understand me is not a problem. I keep things in perspective.

People will say "You must miss playing to a thousand people." But I don't. I might miss playing. That's what I would miss, but I don't miss it, because I am playing.

Structures can be manipulated for ill as well, especially when people are dealing with issues of power, or control, or violence.

I jump from one thing to the next but try and strike a balance. But it's not nostalgic in the sense of 'those were the good old days and now we're not there'. I don't think like that. Not my way.

The Corcoran show was actually almost a reportage. The exhibit was, in many ways, pretty unique. It was one of the first pieces about DC culture that doesn't include some marble building or the Kennedy Center.

All we wanted to do was to make live records all available. For us, the idea is to make it all available and let people decide which ones they like better. It's not for us to decide. We don't care about that. What we're interested in is the idea that we made these recordings, and they're not doing anybody a damn bit of good sitting in a closet.

One of my friends was a stage hand at a Bob Dylan show in the mid-90s and I remember him telling me that somebody crowd surfed during the gig. And this friend of mine was an old punk rock guy - he was totally humiliated by it. But some of Bob's people were there and they said, "Oh, Bob will be so excited! This is the kind of energy we want at his shows." That's where the old school was at.