I mean, why do people fight over sports? Because of the framework, the schematic of sports, those particular people seize upon these opportunities to be violent. And the number one problem using the same framework would be religion.

The archiving industry, much like the funeral industry and the wedding industry, these industries can be very exploitative.

The only thing that drives music is the people who are making it.

I work at a record label where I have archives. These things [memorabilia] occurred and are important to somebody, and they're important to me. I find the record industry largely repellent. This music, the Teen Idles, all of that stuff, is important to me. I don't have lawyers, an agent or a manager. However I find the music industry largely repellent. I just make records because that's what I love to do. So I think that era, those pieces of media, I keep in my collection.

Now anyone can move anywhere. I've made deep connections with people around the world since I tour everywhere that I will simply never see again.

There are certainly good examples of incredibly brilliant, beautiful music that has been made commercially available and sold everywhere. But I would say that, for the most part, quantity certainly does not speak well for quality.

Record labels have enjoyed a 100-year monopoly of selling plastic and now they're up against a different format.