I just have work to do; I just do it.

I do not consider myself a teddybear. Just to be clear, I don't feel sorry for myself.

I'm not talking about what came later [after the American underground punk scene], indie music, or whatever you want to call it, but the music that came before that - that's an important story. So many interviews with musicians get the time or context wrong. You have these older bands, usually men, who tell stories about "Oh, we got into this huge fight, this guy punched that guy," that's the wrong sort of story. My view of the time is truly pioneering.

When people who are songwriters say 'That's my property and if you give it away for free then I'll lose my incentive,' then, well, good riddance.

I had a bartender friend once tell me about a $14.00 shot of vodka, this was years ago it's probably more now. I thought that was crazy. From what I understand, vodka has no taste. I think people like the taste of their money.

Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.

Getting your letters or pictures digitized. I don't think it's that important. The more you spend on your materials, you're given the sense that those things are more important due to the total amount spent. You'd probably be better off giving that money to a soup kitchen.