Major labels didn't start showing up really until they smelled money, and that's all they're ever going to be attracted to is money-that's the business they're in- making money.

I'm basically in every band I ever was in, and the songs, I still mean them all. I don't take anything back, so I do look after them to some degree. But my main focus is on what I'm doing now.

I think what we took away from first hearing about the punk stuff in England and then the early American punk stuff was a sense of self-definition and also sort of playing music for music's sake and being part of a family for family's sake.

All we wanted to do was to make live records all available. For us, the idea is to make it all available and let people decide which ones they like better. It's not for us to decide. We don't care about that. What we're interested in is the idea that we made these recordings, and they're not doing anybody a damn bit of good sitting in a closet.

"Straight Edge" was a song about my life. There was no structure, no premise as if I was forming a club. There were no tenets. I mean I wrote a song called "Straight Edge," I'll take that, but the song was about my life the way I wanted to live it.

I'd much rather talk to a 30-year old that survived rough times in their lives [practicing Straight Edge] rather than someone that was harmed by a culture of violence.

I had a bartender friend once tell me about a $14.00 shot of vodka, this was years ago it's probably more now. I thought that was crazy. From what I understand, vodka has no taste. I think people like the taste of their money.