For the professors in the academy, for the humanities generally, misery is more amenable to analysis: happiness is a harder nut to crack.
Ian McewanShe had lolled about for three years at Girton with the kind of books she could equally have read at home--Jane Austen, Dickens, Conrad, all in the library downstairs, in complete sets. How had that pursuit, reading the novels that others took as their leisure, let her think she was superior to anyone else?
Ian McewanThe evasions of her little novel were exactly those of her life. Everything she did not wish to confront was also missing from her novella--and was necessary to it.
Ian McewanIt wasn't torpor that kept her - she was often restless to the point of irritability. She simply liked to feel that she was prevented from leaving, that she was needed.
Ian McewanThere did not have to be a moral. She need only show separate minds, as alive as her own, struggling with the idea that other minds were equally alive. It wasn't only wickedness and scheming that made people unhappy, it was confusion and misunderstanding, above all, it was the failure to grasp the simple truth that other people are as real as you. And only in a story could you enter these different minds and show how they had an equal value. That was the only moral a story need have.
Ian Mcewan