I suspect the base that I'm working from is not particularly one of inquiry, but of memory of what I did last time.

[There's] nothing special about an actor's imagination, except that he uses it a lot.

The thing you notice here after America is how refreshingly ordinary people look, because they haven't had their chin wrapped around the back of their ears.

As for the clarity of the 48 frames, I've heard people say that it looks odd, it's too demanding, there's too much information, you don't know where to look.

Personally, coming out was one of the most important things I've ever done, lifting from my shoulders the millstone of lies that I hadn't even realized I was carrying.

When you're on stage with an audience, the director's nowhere to be seen. He's onto the next job.

Godot is whatever it is in life that you are waiting for: 'I'm waiting to win the lottery. I'm waiting to fall in love'. For me, as a child, it was Christmas. At least that eventually came.