All other areas of my life, I'm hopeless. I can't even be certain how to boil an egg.

I'm not experienced enough, or certain enough of my acting on the screen to say to a director, "You are wrong, I am right. I will only do it this way." I could never feel that, I wish I could be absolutely certain. But on the stage, it's different. I know where I am on the stage.

If you're sounding right, you're probably walking right, and vice versa. If you get the footwork right - if you get even one line right in a rehearsal, the director will say, do you know when you said that, it was exactly the character. You were - really landed on it.

The audience's expectations are ever-present.

[There's] nothing special about an actor's imagination, except that he uses it a lot.

When you were on stage, you could be absolutely open about your emotions and indulge them and express yourself in a way that - in real life - I wasn't doing.

Most of the time when you do a job, a play or a film, you're wondering, "Will there be an audience?"