My reaction to 3D is subtly. Things don't come out at you, but rather you - The audience come into the film.

For old actors, just remember that inside you're only 14. Acting is for kids. You poor old grown-ups, you've forgotten how to do what kids know automatically.

I have been reluctant to lobby on other issues I most care about - nuclear weapons (against), religion (atheist), capital punishment (anti), AIDS (fund-raiser) because I don't want to be forever spouting, diluting the impact of addressing my most urgent concern - legal and social equality for gay people worldwide.

When we'd suggested doing it, the Theatre Royal management had said, 'Nobody wants to see Waiting for Godot.' As it happened, every single ticket was booked for every single performance, and this confirmation that our judgment was right was sweet. Audiences came to us from all over the world. It was amazing.

It's only fair that stable gay relationships of long standing should have the same rights and responsibilities as married couples. I know the image of gay marriage is to some people horrific and ludicrous.

It may be my rather puritanical upbringing at odds with my inborn laziness that makes me feel guilty at the end of the day, unless I am able to point at some achievement. But this need be no more impressive than cooking a meal or going for a long walk.

As for the clarity of the 48 frames, I've heard people say that it looks odd, it's too demanding, there's too much information, you don't know where to look.