It is so painful watching yourself act, particularly because you can't do anything about it, it's all done and dusted.

My memory of 3D movies is Fernando Lamas in a swashbuckling movie. And I suppose it had been the fifties, in which swords came out at you, bullets came out at you, things were thrown into the auditorium, apparently. All that sort of cheap, "Oh, look at us, we've got 3D" isn't in the film.

I think if I were asked to do as many as fifty takes, I would assume the director had no idea what he wanted, and was just hoping, eventually, to see it.

The thing you notice here after America is how refreshingly ordinary people look, because they haven't had their chin wrapped around the back of their ears.

If you're sounding right, you're probably walking right, and vice versa. If you get the footwork right - if you get even one line right in a rehearsal, the director will say, do you know when you said that, it was exactly the character. You were - really landed on it.

[There's] nothing special about an actor's imagination, except that he uses it a lot.

In fact, my face has shrunk in the meantime, but it won't be particularly noticeable because it's covered up with hair. So I hope I'm not alarmed if I ever do sit through the five movies.