Every anti-gay remark from the Church gives the thug a license to be cruel.

No one needs to feel sorry for me or anyone else who has fallen victim to success.

[There's] nothing special about an actor's imagination, except that he uses it a lot.

When we'd suggested doing it, the Theatre Royal management had said, 'Nobody wants to see Waiting for Godot.' As it happened, every single ticket was booked for every single performance, and this confirmation that our judgment was right was sweet. Audiences came to us from all over the world. It was amazing.

My reaction to 3D is subtly. Things don't come out at you, but rather you - The audience come into the film.

As for the clarity of the 48 frames, I've heard people say that it looks odd, it's too demanding, there's too much information, you don't know where to look.

I’ve often thought the Bible should have a disclaimer in the front saying this is fiction.