Obama reminds me of the black kid at a white school that don't nobody want to play with.

I used to love to draw. I didn't want to go to art class because I felt that would be too corny when I was young, but architectural drafting was the cool thing to do because there was more precision. It taught me a lot about building and structures and doorways and frames and windowsills.

Whatever happened in the neighborhood. That's what I was rapping about. And that sparked people's interest. And that's what kind of put me on that path.

As far as producing, once we started shooting, I soon realized where the critical decisions about the movies were really being made, and it wasn't on the set. They were being made in the production meetings. That's where producing a movie happens. And that's where I wanted to be. I didn't just want to be a piece, a pawn being played. I wanted to take part in the creative process, and that's how I sort of got introduced to the idea.

I've got a basketball signed by all the greats from Julius Irving to Oscar Robinson. It was at an All Star game I got them all to sign it. So that ain't going nowhere. I'm going to die with that in my casket.

You want the industry to finally admit that you're good. But I'm still good without their admission.

I think the worst thing you can do about a situation is nothing.