Well, for the transition from rapper to actor, I was fortunate that director John Singleton pursued me for about two years to be in Boyz 'N the Hood. I really wasn't even thinking about acting at the time, since I was singularly focused on being the best rapper in the world. So, that was really a blessing, because I wasn't really taking him seriously.

I never was in the Nation of Islam... I mean, what I call myself is a natural Muslim, 'cause it's just me and God.

Some comedians you work with, they only turn on when the camera turn on, and they're like sad-faced clowns when the camera's off. And then, they come alive when the camera come on. And you be like, "Oh, damn. You're not a depressed ball of depression, but you are actually funny."

We should love the fact that we're not just getting one point of view. That we have this diversity in entertainment, and people are not scared to be themselves, and people are not scared to make people uncomfortable, and that's all part of it. That's all part of being free.

It's funny how people who ain't never been down there can think that America is so fair and that we should be alright. It's funny that the people who have their foot on our neck are telling us, 'Get up. What's wrong with you?'

While I had done the movies through Revolution Studios, we own the sitcom. It was a situation where, once the team was assembled, I knew we could create something really, really good.

I've done movies for certain reasons; I did 'Anaconda' because the black man lives. Simple. The black man isn't dead in the first three pages, like Jurassic Park. It's like, 'The black man kills the snake with a Latino girl? Damn! I got to do this.'