It's always been jewelry, clothes, appearance. Those are things that compete with the car. But the car is the ultimate. Get that car right and it doesn't matter what you got on or what you wear once you step out of that car.

I always was like, "Yo, I'm here, I might as well get what I could take."

Music is where I have the most creative freedom, but I love producing. To me, that's kind of where all the action is. You get a chance to have your hands in every aspect of a film. From picking a director, sometimes picking a writer, to the actors, the wardrobe, set design, editing, music, and marketing.

Nowadays, you can be yourself. You don't have to put on façade. You can be who you are and still be just as successful as the ones who put on the fake façade. You know, it's like reality is just as important as fiction.

You can measure films on box office success, or people lovin' the movie whenever they see it. That's what I measure my movies on. How much people love these movies after they get a chance to see them, no matter how they get a chance to see them.

I wanted to go in a different direction, artistically. But having somebody like Terry[Crews] in it was your ace in the hole. That makes it very strong, so I definitely had to jump in with both feet.

When I was six, God was a white man with a big beard riding on a white cloud. That's the image television pumps.