It's like they want to shut rappers down. They want to silence us. The Supreme Court says it's OK for a white man to burn a cross in public. But nobody wants a black man to write a record about a cop killer.

It really really sunk into me when I went to Europe and they take rap so much more serious than we do here. That was the first time I ever heard rap considered folk music. And sometimes somebody will make you understand like, "Hey, what you doin' is serious, don't play it lightly 'cause it's changin' my life."

I'm just disillusioned with the hip-hop sound right now. It's too materialistic. You know, I'm the kind of guy ... I can't do that. If you track my movement, you'll never see a picture of me with any girl that wasn't mine, or my own car. My jewelry, my clothes. What kind of gangsta rapper has a stylist? A stylist?!

I think that a rap aficionado, the hardcore rap fan, will always go away from pop, in the same way a hardcore jazz fan will never think Kenny G is really a jazz artist. You gotta kind of know there's always going to be that purist who's going to be like if it ain't beats and rhymes, if there ain't a DJ, then that ain't Hip Hop.

When you hit the wall, it's how fast you come back.

There was a time when people would go search out underground records. Now, underground means free, and people don't really care for it. So now artists tend to go more pop and look for the radio. You know, the radio never wanted you to speak about anything, so the music is kinda influenced by the hands of the radio which wants to homogenize it and dilute it and sanitize it. And for the most part, nobody's takin' the time to seek out the cats that are still tryin' to talk, so they have a difficult time being heard, like Chuck D said.

Dealing with the old school rappers, you see a lot of humility. When you're new, nothing is wrong. Everything is tight. Because you're trying to hype the world into believing in you.